Geria is a hand drawn sans serif in four weights. Despite being rough and organic, Geria retains the basic structure and shape of a readable sans serif. The result is a functional typographic tool with a lot of personality.
The family comes in four carefully balanced weights that offer a lot of contrast from the delicate Light to the punchy Heavy weight. Geria is perfect for display use in branding, packaging, editorial design, posters and advertising.
Ador Hairline is the high contrast version of Ador. A humanist sans serif that falls in the “evil serif” genre, especially designed for contemporary typography and comes up with 7 weights from extralight to black plus true italics and 293 ligatures and initial letters. A large x-height not only creates space in the letters for extra-bold styles, but also lends Ador Hairline an open and generous character in the more narrow and semi-bold versions. The nice balance between sharp ink trapped and soft, dynamic shapes helps to work in small sizes. Diagonal stress, angled finials and the 4 degree true italic styles give Ador Hairline a dynamic look. The font contains 1.026 glyphs and a wide range of flexibility for Latin language support for every typographical needs. Ador Hairline is a contemporary sans serif typeface, special for logotypes, brands, magazines editorial and advertising uses.
Nuber Next is a modern geometric sans influenced by the popular neo-grotesques of the 1950s including Helvetica and Univers. Carefully remastered from the original Nuber type family to improve letter shape, overall uniformity and introduce a flexible width system capable of handling a wider variety of modern typographic methods. Details include 573 characters, nine weights, five widths with matching italics, alternative uppercase R, alternative lowercase a, e, g, i and y. Opentype features include five variations of numerals, numerators, denominators, fractions and language support covering Western, South and Central Europe.
Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes.
Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.
On the basis of the classical form, Shapiro meets all the requirements that are placed on a good font, such as good readability, a sympathetic overall impression, as well as a balanced gray effect. Shapiro boasts horizontal and vertical strokes that are nearly identical in width, giving the family a compact, modern look and feel. This 34-font family sets itself apart from the crowd with: + A very good, clean and timeless design + From very slight to very strong + Carefully spaced and kerned + Separate cuts for longer passages of text + Well-designed diacritical marks + Simple font licensing +++ Try the brand’s freebies +++ The only thing you can do now is to license the complete family and tell everyone about it.
Ropest is a decorative script typeface, created by Måns Grebäck during 2018.
It keeps the same quality as any cursive font, while also being a brave display typeface.
The family comes in two styles; one primary that has the real rope appearance; one Black or solid, to be used by itself or as a background to the rope font.
It contains ligatures, and has support for all Latin based European languages.
Aston Script is a calligraphy script font that comes with very beautiful changing characters, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Aston Script is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of viable style alternatives for many letters. The classic style is perfect to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or any type of advertising purpose.
Aston Script has 650+ glyphs and 399 alternative characters, including various language support. With OpenType features with alternative styles and elegant ligatures. The OpenType feature does not work automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation.
Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.
The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!
Hermann is one of our most readable typefaces so far. Since last year, the W Design team had been examining closely the possibility of developing a text font. Thus, we dug into concepts within some of our favorite novels, such as The Steppenwolf and Brave New World, written by Hermann Hesse and Aldous Huxley respectively. Ideas like duality, surrealism, and wildness mainly appeared. With these concepts in mind, we analyzed carefully the typefaces used in both Hesse’s and Huxley’s creations; Sabon and Garamond showed up catching our attention and, of course, awakening our admiration. Consequently, the challenge was to combine the key features of these fonts with the concepts already identified. At first, we made a text font which was suitable to compose long texts. However, we realized that we needed to refine some characteristics to convey all the ideas. A full set of capital discretionary ligatures was designed, which convert Hermann in a display font when is required. We also designed swashes (from A-Z) and final forms (in letters h, k, m, n, r and x in romans, and in letters a, d, e, h, i, l, m, n, r, t, u, x and z in italics), conveying more dynamism and versatility when it comes to composing visually.
Hermann was designed not only to be accurate in terms of legibility but also to be wild and bold. That is why we took a big leap and designed from the beginning a font that is inspired by the world of 20th-century novels, using the name of one of its greatest exponents, Hermann Hesse.
Steradian is an exploration of the geometric genre and although it has a geometric base, the widths between letters are not much different across the weights. That is due to the process, in which the proportions of the heavier weights paved the way for the lighter ones. It also has a series of details that make Steradian stand out and gives it a special touch. Some of its main features are the double-story ‘a’, its closed apertures and some of the capitals have a distinct personality (such as the G and Q). Read more about the design process at the Emtype’s Blog.
An entertaining typography, dense but at the same time very gestural. “Ding” is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children’s titles.
Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported.
Open Type features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Galatea comes in three widths – each featuring eight weights and corresponding italics.