Jasmine Dobie

Tamba Sans has strong geometric frames. Somewhat condensed and somewhat squarish letterforms can create a powerful atmosphere. At the same time, the very clear, neutral and distinguishable letterforms make it legible and readable. With the spread of the internet, the digital world is overflowing with “designed” stuff. To survive this chaotic world as a designer, you should use a strong typeface to catch the eyes of an unspecified large number of visitors/customers. This is why it is so important to be strong and powerful. One more important thing is the legibility, but the eye-catching design has a tendency to be unusual. Those two things conflict with each other. Tamba Sans solved this problem with an exquisite balance. Tamba Sans consists of 7 weights and their matching Italics for a wide range of usages. Farther, Tamba Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.

Brunches is a sans serif font family with five different styles. Basically this font is designed with geometric principles. There are several possibilities of styles to choose from as needed. Suitable for all creative project. Brunches will make each project easier and more colorful because it has several different styles.

Thimberly is a modern and awesome handwriting font with extraordinary charm. This will change any design idea to be beautiful and perfect! Thimberly can be used for a logo, branding, or just writing which you can combine into great designs. It has multi-lingual support. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word.

Meet Allrounder Grotesk, a decent and modest font and the first member of the multipurpose Allrounder superfamily. The multitalented typeface was developed from 2018 to 2020 by Moritz Kleinsorge. It lays the foundation for Kleinsorge’s Allrounder superfamily, a series of typefaces sharing the same color and horizontal metrics (cap height, small cap height and x-height). The aim of this series is to create a typesetting system whose components match each other perfectly. Look at Allrounder Grotesk as the first part of a design kit: every serif typeface that will follow may be easily combined with Allrounder Grotesk. A workhorse that lives up to its name, Allrounder Grotesk consists of ten weights ranging from a delicate Air to a powerful Black with 900+ glyphs per font. Each weight is accompanied by carefully hand-corrected italics. The sans serif typeface supports more than 200 Latin-based languages, containing the complete “LatinPlus” glyph set developed by underware. It also provides you with plenty of OpenType features and additional goodies: small capitals, ten sets of figures, case-sensitive forms, ligatures, superiors, fractions and arrows. Equipped like this, you’ll be ready for any kind of high-quality typesetting scenario you might encounter. Complementing Allrounder Grotesk, you will soon find Allrounder Serif, a Renaissance Antiqua whose design informed its Grotesk counterpart. While the construction principles of these two font families is completely independent of each other, they still harmonize due to sharing some key characteristics, such as metrics and color. In any kind of design, in any type of medium, working with Allrounder Grotesk is effortless. That’s why Allrounder got its name. Stay tuned for more.