Jasmine Dobie

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

Rough monospace type with cowboy boots: Here is Justice! Initially designed in 2004, Justice has been totally rethought in 2017 for the visual identity of Ceinturama. For this new version the fixed-width principle has been used to turn this typeface into a kind of construction game. A series of decorative accessories (systems of borders, arrows and ornaments) have been developed in order to make typesetting more playful.
Designed from the outset to be as comfortable on screen, on paper as on wall, Justice has aesthetic qualities suitable for handmade signage. It’s your turn to play!

Please find the PDF type specimen/manual over there.

Bourget is a Display-Sans, which is inspired by the Art Déco Typo­graphy of the 1920´s, 1930´s years. It has a very characteristic and unique style by its thin line through every letter. The upright and italic versions have each 750+ Glyphs with Open Type Features, playful Ligatures and a lot of Alternates as Stylistic Sets. So there is a lot to discover and to play around with. Bourget is good to use for Branding, Signage, Packaging, Invitations, Advertising, Headlines, Displays, Magazines, Book titles or everything you want to use it for. Bourget has an extended character set to support 219 latin based languages in 212 countries and Pinyin.

History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything else that culturally enriches our daily lives, revisited and made anew for today. 
 
Address Sans indulges in the spirit and aesthetics of mid-century Modern – Italian industrial design, sleek coffee makers, stylish cars, seductive jazz pressed on vinyl – with a charm and charisma that defies time. It evokes history but is decisively created for today. 
 
Its design, in reality, is rooted in the condensed structure and block modulation of early 1950s German lettering intended for use in street signage, but when we started to work on the various weights and widths, the result was a set of fonts in a style similar to the typographic work developed by Butti and Novarese in the 60s. The multitude of potential applications for Address Sans then became clear. 
 
In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

Mikkel is a smooth and goofy script with an easygoing attitude.

A brushy script for anything that doesn’t take itself too seriously, Mikkel is the cheeky joker in TypeMates’ font library and the best buddy of expressive typography at large sizes.

And Mikkel is a double act. Along with its expressive script style, Mikkel has a ‘sans’ with a disconnected lowercase that allows it to pull off more tricks. As Mikkel’s script forms work their magic in logos and lettering, its close friend Mikkel Sans can ensure any additional text is clear and complementary.

As Mikkel’s uppercase is pretty swashy, we designed its small caps to be a little more restrained for all caps settings — keeping Mikkel’s soul and providing typographic contrast. Smart OpenType features take Mikkel back to its lettering roots; alternate characters ensuring tricky combinations and double letters stay smooth, smart and sunny.

An exuberant and bouncy typeface that’s full of fun at large sizes, Mikkel is also serious when it comes to your workflow. With over 1000 glyphs per font, huge Latin language support, OpenType features to give text the flow of lively lettering plus many typographic goodies like small caps, oldstyle and tabular numerals, Mikkel’s got it where it counts.

Da capo! Mikkel is extended with cartoonish icons to spice it up! We do not want to praise this goofy brush script too much but, c’mon, if you like eating ice cream in the sun, go with Mikkel.