Jasmine Dobie

Alvar, a modular Humanist-flavored Sans Serif typeface, is ideal for corporate use, and brand and corporate identity design. The font performs well for mid-length text. Alvar is a neutral and clean font but it has friendly and modern design characteristics.

Alvar comes in 8 weights with matching italics and the whole family is composed of 3 subfamilies: Pro, Essential and Alt Essential, resulting in a total of 48 different styles. The Pro version includes a Latin Extended character set and OpenType features—stylistic alternates, small caps, case-sensitive forms, proportional and tabular figures, currency symbols, etc. The Essential and Alt Essential versions are well-suited for both web and corporate use.

Thank you for inspiration Alvar Aalto!

Special thanks to Alfonso García for his help with digital editing—especially for his contribution to the design of the beautiful italics.

Lumios is a freehand casual marker script that was created using Pilot Sign Pen.
It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates.
As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc.
Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites.
The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need.

-OC Pájaro [pah-hah-roh, Spanish for bird] is a contemporary sans serif available in twelve styles. It combines the readable width, rhythm and regular proportions of a grotesk with roots in a geometric. The result is a highly versatile font which fuses the timeless elegance of Futura with the compact utilitarian typesetting of the likes of Akzidenz and Helvetica.

-OC Pájaro effortlessly traverses the spectrum from high-end sophistication, approachable readability, and functional information design. Crafted with a tireless focus on kerning, angled terminals are cut to fit neighboring curved letters making the bolder weights perfect for logotypes and display type, while lighter weights are well suited for long passages of text. A large x-height and short ascenders that run level with the low cap-height give a strong horizontal emphasis and allow for tightly packed lines of type.

Typical of both grotesk and geometric styles the design has an even weight with minimal stroke contrast and the slanted form is an oblique rather than a true italic. The default double-story ‘a’ and ‘g’ give a more academic touch, while the friendlier single stories are available as alternates.

The font is designed with extensive open type features including old style figures when setting extensive copy in sentence case and circled uppercase, numbers and symbols inspired by 1960s transit signage.

A monospace cousin is the perfect addition to our existing Lexia family, a contemporary slab-serif design with remarkable versatility. Lexia Mono was drawn specifically with programmers and designers who work with tough compositional issues in mind. Its clean, uninterrupted rhythm and even colour make it remarkably easy to read, while its characters flow just like on a typewriter. Unlike many monospace font families which consist of only Regular and Bold weights, Lexia Mono also features a Light, stylish true italics, and box-drawing characters for terminal use.